Reach for the Stars: 1996–2006: Fame, Fallout and Pop’s Final Party: A Times Summer Read 2023

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When you're sad, you reach for me. I'll hold you close and tight. I'll teach you how to sing a song about the stars at night."

Most of the acts Cragg covers straddle the years either side of the millennium, and many burst through in 1998: Steps were a five-piece made up of would-be children’s TV presenters with a yen to sound like a Home Counties Abba; the laddy Five were launched on the TV show Neighbours from Hell; the charismatic, 15-year-old Sylvia Young student Billie Piper went straight in at No 1 with Because We Want To, a single that was pure Grange Hill ; Irish four-piece B*witched were formed with the terrible idea of marrying the Spice Girls’ brightness and energy to another contemporary craze, Michael Flatley’s Riverdance. Such was the appetite for bubblicious teen pop that B*witched scored four consecutive No 1s in a matter of seven months. Beneath the shiny exterior is the treatment of S Club 7 as chattels or the racism suffered by Jamelia and Mis-Teeq Reach for the Stars takes a delightful look at British pop music from the years 1996 to 2006. It was a more innocent time, before the dawn of the internet - radio, Top of the Pops and magazines like Smash Hits were the main ways teenagers learned about their favourite bands. CD singles sold in vast amounts and reaching the number one position in the weekly charts was still a meaningful and much-coveted achievement. Dream big; at least you will have the joy of reaching for the stars instead of living in a box filled with unopened gifts." Probably a robbery … Steps smile through losing out to indie’s Belle and Sebastian. Photograph: JMEnternational/Getty Images Scott We had to lie and tell anyone that asked that Sean had glandular fever. We knew that he was having a breakdown and he’d left. But the label wanted to make sure that Kingsize was going to sell so they said we couldn’t tell anyone.The book begins with the Spice Girls, who changed everything. Their cheeky attitude and catchy tunes made pop music exciting again. They influenced so many new bands around that time - All Saints were seen as edgier version, whereas Five were imagined as a male equivalent. But we also hear from other groups that didn't make quite the same impression - the likes of A1 and Girl Thing. It's fascinating to hear them discuss their reasons for not quite succeeding. When reading this book, you're likely to vanish down a YouTube wormhole, revisiting forgotten gems or favourite songs from the likes of A1, Billie Piper, Sugababes and Steps, or discovering that the music of certain groups still sounds awful more than twenty years later (Atomic Kitten...) I should note that it's not exhaustive, which is OK as the book is long enough without going into even further detail. The focus is on Britain, with occasional references to Irish groups popular in Britain, but not much context outside of this, or else we would certainly be hearing about Aqua, who were massively popular. Perhaps the British band Scooch could have had a mention, as they did moderately well in the early 2000s. I would've appreciated a little more about B*Witched, as the way I remember it, they were almost as popular as the Spice Girls. Regarding the Spices, the chapter would've have more appeal if I hadn't recently read Melanie C's memoir, which more or less covers the same territory.

I'll teach you how to reach for things that are very hard to do. You may succeed, and that is great, but failing's common too."

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There are so many things to learn. The world is all brand-new. I'll teach you how to laugh out loud, and kiss and cuddle too."